{"id":8221,"date":"2017-01-05T17:38:44","date_gmt":"2017-01-05T16:38:44","guid":{"rendered":"http:\/\/indieofilo.com\/?p=8221"},"modified":"2023-10-03T11:42:40","modified_gmt":"2023-10-03T09:42:40","slug":"40-best-albums-of-2016","status":"publish","type":"post","link":"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016","title":{"rendered":"40 best albums of 2016"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"8221\" class=\"elementor elementor-8221 elementor-8132\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4ef7f773 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4ef7f773\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7365ef2e\" data-id=\"7365ef2e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-572e4ecf elementor-widget elementor-widget-text-editor\" data-id=\"572e4ecf\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-8218\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016-header-1.jpg\" alt=\"best albums 2016 indieofilo\" width=\"1050\" height=\"352\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016-header-1.jpg 1050w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016-header-1-300x101.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016-header-1-1024x343.jpg 1024w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016-header-1-768x257.jpg 768w\" sizes=\"(max-width: 1050px) 100vw, 1050px\" \/><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1698ee5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1698ee5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-321d693\" data-id=\"321d693\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3c80ac1 elementor-tabs-view-vertical elementor-widget elementor-widget-tabs\" data-id=\"3c80ac1\" data-element_type=\"widget\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-6341\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-6341\" aria-expanded=\"false\">1-10<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-6342\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-6342\" aria-expanded=\"false\">11-20<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-6343\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-6343\" aria-expanded=\"false\">21-30<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-6344\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-6344\" aria-expanded=\"false\">31-40<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-6341\" aria-expanded=\"false\">1-10<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-6341\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6341\" tabindex=\"0\" hidden=\"false\"><div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">01. Kate Tempest \u2013 Let Them Eat Chaos<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/20IHNtzCY3uYpWolidiIDb\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/kate-tempest-let-them-eat-chaos.jpg\" alt=\"Kate Tempest \u2013 Let Them Eat Chaos\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>After the victory of Brexit, many political analysts sought the reasons for disenchantment. It would have been easier for them to listen to the nearly 50 minutes in which <strong>Kate Tempest<\/strong> cries out against social injustices, human disaffection or consumerism in a neo-industrial rhythm that captivates although at times, like her compatriots <strong>Sleaford Mods<\/strong>, it is difficult to understand 100% its meaning by all the slang language used..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">02. Nick Cave and The Bad Seeds \u2013 Skeleton Tree<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/34xaLN7rDecGEK5UGIVbeJ\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/nick_cave_and_the_bad_seeds_skeleton-tree.jpg\" alt=\"Nick Cave and The Bad Seeds - Skeleton Tree\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p><em>\u201cNothing really matters, nothing really matters when the one you love is gone\u201d<\/em> sings <strong>Nick Cave<\/strong> on his rought and most personal album.. Saying that considering the Australian\u2019s career is hard, but this record seems to be the lifeline where the <em>\u201cAussie\u201d<\/em> clung after the death of his 15 year old son. Beautiful and heartbreaking in equal parts, the presence of a bewildering <em>\u201cDistant Sky\u201d<\/em> moves it away from the number 1 of this 2017.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">03. Anderson .Paak \u2013 Malibu<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/6xNFuLOko8gjxi5kUAyGyM\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/andersonpaak_malibu.jpg\" alt=\"Anderson .Paak - Malibu\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>An explosion of sounds with an out-of-the-ordinary rhythm, where we even find <strong>Brandon Anderson Paak<\/strong> on drums that hooking rhymes. The perfect union of R&amp;B, soul, hip-hop and funk, with a style close to the 70\u2019s in a second LP that puts him at the height of masters.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">04. Savages \u2013 Adore Life<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/6c3UkztmOmW2GtunSNN3NZ\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/adore_life\u2013savages.jpeg\" alt=\"adore life \u2013 savages\" width=\"300\" height=\"300\" class=\"aligncenter size-full wp-image-8158\" srcset=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/adore_life\u2013savages-150x150.jpeg 150w, http:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/adore_life\u2013savages.jpeg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p><strong>Jehnny Beth<\/strong>\u2018s voice merges with much steeper drums (if it was even possible) than on their debut album. Also <strong>Gemma Thompson<\/strong>\u2018s guitars get closer now to the sounds of their beloved <strong>Bo Ningen<\/strong> or <strong>Swans<\/strong> thanks to feedbacks and distortions, moving away from punk to fall into the darkest rock..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">05. Anohni \u2013 Hopelessness<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/1S3OY2V2ZwFh4xU7gQG6IZ\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/anohni_hopelessness.jpg\" alt=\"Anohni - Hopelessness\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>An album that starts with 3 major hits like <em>\u201cDrone Bomb Me\u201d<\/em>, <em>\u201c4 Degrees\u201d<\/em> and <em>\u201cWatch Me\u201d<\/em> should be in the top 10 of the year, but if we also add the umpteenth conversion of the artist formerly known as <strong>Anthony<\/strong>, fusing pop and electronica thanks to <strong>Hudson Mohawke<\/strong> and <strong>Oneohtrix Point Never<\/strong>, the album deserves to jump into the top 5 without any doubt.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">06. Kaytranada \u2013 99.9%<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/1dZZh7PvVgce1DDsDPzy8Z\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/999-kaytranada.jpg\" alt=\"Kaytranada - 99.9\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The debut album of Canadian <strong>Louise Kevin Celestin<\/strong> has confirmed all the good things that was foreshadowed in his remixes.. The mixture of R&amp;B, jazz (awesome <em>\u201cWeight Off\u201d<\/em> with the help of <strong>BadBadNotGood<\/strong>), pop and hip hop rhythms with incredible collaborations on the voices (<strong>Anderson .Paak<\/strong>, <strong>Craig David<\/strong> or <strong>Aluna George<\/strong>) make this one of the albums of the year that surely will become a model for the mainstream R&amp;B in the coming years.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">07. De Staat \u2013 O<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/0wEDhdgmEuIxaVnQs5snub\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/de_staat_o.jpg\" alt=\"De Staat - O\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>After flirting with the blues-rock in his past LP <em>I_CON<\/em>, Dutch band <strong>De Staat<\/strong> have jumped into purest rock sounds to deliver an almost perfect album, which could have been signed by the best <strong>Queens Of The Stone Age<\/strong>. An album whose first 20 minutes run away with an amazing facility, accessible to all audiences and full of hits.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">08. David Bowie \u2013 \u2605<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/2w1YJXWMIco6EBf0CovvVN\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/david-bowie-blackstar.jpg\" alt=\"David Bowie Blackstar\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Published few days before his death, <strong>Bowie<\/strong>\u2018s latest album is his return to the most experimental side, with a sound close to pop and avant-jazz where a permanent darkness is reflected in lyrics and arrangements. With a shaky voice that now suffocates, the white duke sings sad scenes in catchy choruses like <em>\u201cGirl Loves Me\u201d<\/em>, and says goodbye to us all with the melancholy <em>\u201cDollar Days\u201d<\/em> and <em>\u201cI Can\u2019t Give Everything Away\u201d<\/em>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">09. PJ Harvey \u2013 The Hope Six Demolition Project<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5IKDqSC2lTcDWRqHUDGgwF\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/the_hope_six_demolition_project-pj_harvey.jpg\" alt=\"The Hope Six Demolition Project - PJ Harvey\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p><strong>Polly Jean Harvey<\/strong> is no longer the screaming young woman closer to punk on <em>Rid Of Me<\/em> and her evolution to a mass prophet capable of playing sensibilities in their last two albums has been exemplary. If in <em>Let England Shake<\/em> she spoke to us about her beloved Great Britain, she takes now the world as a frame and with choirs, percussions and an incredible section of winds, she gives us a remarkable new album where highlight <em>\u201cThe Community of Hope\u201d<\/em> and <em>\u201cThe Ministry of Defense\u201d<\/em> as timeless hits.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">10. Whitney \u2013 Light Upon The Lake<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5yMCA6HdFAeL1aqUjxO3MO\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/light_upon_the_lake_whitney.jpg\" alt=\"Whitney - Light Upon The Lake\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Emerging from the ashes of the brilliant <strong>Smith Westerns<\/strong>, the new band of <strong>Mark Kakacek<\/strong> and <strong>Julien Ehrlich<\/strong> steps forward leaning on a section of winds (especially a hypnotic trumpet) and classical strings section also  brilliant. Their sound that fuses American pop rock with country or lo-fi rhythms has been one of the surprises of the year and <em>\u201cNo Woman\u201d<\/em> one of the great songs of this 2016.<\/p>\n\n<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-6342\" aria-expanded=\"false\">11-20<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-6342\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6342\" tabindex=\"0\" hidden=\"hidden\"><div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">11. Nicolas Jaar \u2013 Sirens<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/2EvZiOMBlC9b5hbjbZCjZv\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/sirens_nicolas_jaar.jpg\" alt=\"Nicolas Jaar - Sirens\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>You can hardly find this year a more emotional and social album than the Chilean one.. Only six timeless songs that mix pianos with electronic sounds in which we encounter a much more serious and mature <strong>Nicolas Jaar<\/strong> than the one we knew so far, able to convey concerns of the common society. This does not prevent him from hitting the post punk rhythm in <em>\u201cThe Governor\u201d<\/em> or even inserting Latin rhythms in <em>\u201cNo\u201d<\/em>, but without a doubt give us the incredible <em>\u201cThree Sides Of Nazareth\u201d<\/em>, an explosion of power that we want to see soon live.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">12. King Gizzard &amp; The Lizard Wizard \u2013 Nonagon Infinity<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/7hpznmwqB8FM05bEpN9P94\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/nonagon_infinity_king_gizzard_the_lizard_wizard.jpg\" alt=\"King Gizzard &amp; The Lizard Wizard - Nonagon Infinity\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>It\u2019s incredibly difficult to define the Australians\u2019 album in a few lines. An album full of chaos, psychedelia, guitars, synthesizers, robotic voices, frenzy, and yet perfect as a whole, that makes you listen to it over and over again. With reminiscences to the modern garage, but with clear influences from <strong>Black Sabbath<\/strong> or <strong>Pink Floyd<\/strong>, this wonder LP make us envious with the promise of 5 albums of the band for 2017..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">13. Radiohead \u2013 A Moon Shaped Pool<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/6vuykQgDLUCiZ7YggIpLM9\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/radiohead-a-moon-shaped-pool.jpg\" alt=\"Radiohead - A Moon Shaped Pool\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>It is true that many of the songs were already played during their concerts on the last years, but still this <em>A Moon Shaped Pool<\/em> has the virtue to sound homogenous when many of its songs belong to different times of the British. With the great <em>\u201cBurn the Witch\u201d<\/em> as a capital song and <strong>Thom Yorke<\/strong>\u2018s usual emotiveness on the overflowing voice in a new version <em>\u201cTrue Love Waits\u201d<\/em>, we find an album in which stand out the more and more habitual orchestral arrangements by <strong>Jonny Greenwood<\/strong>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">14. Suede \u2013 Night thoughts<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5cyFF9f6VhtSXIr3GZ88sD\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/suede_night_thoughts.jpg\" alt=\"Suede - Night thoughts\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p><strong>Suede<\/strong> show on their second album after the return that despite being around 50, they remain in shape. Although the album is based on a greater instrumental richness, offering a much more emotive side and full of dark choruses than its predecessors, this album leaves us new hits like <em>\u201cOutsiders\u201d<\/em> or <em>\u201cNo Tomorrow\u201d<\/em>, with a force that recalls the style of the band in the mid-90s.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">15. Car Seat Headrest \u2013 Teens Of Denial<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/26DseQO366JfXwIP7dIgQj\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/teens_of_denial-car_seat_headrest.jpg\" alt=\"Car Seat Headrest - Teens Of Denial\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Young <strong>Will Toledo<\/strong> achieve to shine on something hackneyed as the low-fi rock thanks to a sublime album that seems to combine all the good of <strong>Dinosaur Jr<\/strong>, <strong>Pavement<\/strong> or <strong>Neutral Milk Hotel<\/strong>. Although the songs exceed 6 minutes with ease, never fall into the tedium and maintain an amazing freshness, highlighting <em>\u201cFill in the Blank\u201d<\/em> or the song that will definitely win the prize title of the year, <em>\u201cThe Ballad of The Costa Concordia\u201d<\/em>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">16. Skepta \u2013 Konnichiwa<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/2yegc4SUhhXxUXUavLHUqL\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/konnichiwa_skepta.jpg\" alt=\"Skepta - Konnichiwa\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>After bursting into in 2015, this 2016 has been the year of grime, and <strong>Skepta<\/strong>\u2018s LP is the reference album of the movement. An explosive start, which mixes piano rhythms with accelerated rhythms that seconds later we can enjoy 8-bit sounds under <strong>Wiley<\/strong>\u2018s voice is the strong point of an album that is slowly going down. However, among samples of police sirens and speakers, the overall sound is incredible and gets closer to the one of <strong>The Streets<\/strong>, but much more accessible.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">17. Leonard Cohen \u2013 You Want It Darker<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/3jeTB3j3QmUs8SPIVleHtU\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/leonard-cohen_you-want-it-darker.jpg\" alt=\"Leonard Cohen - You Want It Darker\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>When someone with the age of <strong>Leonard Cohen<\/strong> record an album that starts with a chorus that says <em>\u201cI\u2019m ready, my Lord\u201d<\/em> all fans feared his early death.. It is true that all sounds as a living will, but also that most lyrics of this album exude hope and advices that your grandfather would give you to grow in life. Is possible to find a better farewell letter than the solemn <em>\u201cIt Seemed the better\u201d?<\/em>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">18. A Tribe Called Quest \u2013 We Got It from Here\u2026 Thank You 4 Your Service<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/3WvQpufOsPzkZvcSuynCf3\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-Service.jpg\" alt=\"A Tribe Called Quest - We Got It from Here... Thank You 4 Your Service\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Nearly two decades of waiting have been worth it. The one that is their last work as a band leaves us a more mature album and away from the jazz rhythms of their beginnings, but with a presence of rock guitars or funky rhythms that catch you from the first second. Probably that attraction is due to the fact that it maintains the freshness of the Rap from its beginnings, thanks to the unmistakable stamp of that flow of voices that charge against xenophobia, the media, the political situation or the odes to a <strong>Phife Dawg<\/strong> that is visible on every song on the album. Its only but is that they have decided to publish it in a remarkable 2016 as far as records are concerned..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">19. Preoccupations \u2013 Preoccupations<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/1BedrXdH4el7fWWIYMC99N\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/preoccupations-preoccupations.jpg\" alt=\"Preoccupations - Preoccupations\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The name change has brought the Canadians formerly known as <strong>Viet Cong<\/strong> an extra of potency and rage. If their debut album brought us closer to a more melodic post punk, on this new album is possible to intuit the influences of <strong>Joy Division<\/strong>, but also new albums by <strong>The Horrors<\/strong> or even the industrial scene of the late 80s. Also, it includes a gem of almost 9 minutes that is <em>\u201cMemory\u201d<\/em>, one of the songs of the year.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">20. DMA\u2019s \u2013 Hills End<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/2sDDN9iE5uBjtrujYHC1KL\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/dmas_hillsend.jpg\" alt=\"DMA\u2019s - Hills End\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>It is clear that if you hated the Brit of the 90\u2019s, this record is going to be directly unbearable.. But if you are one of those who miss the sound of the <strong>Gallaghers<\/strong>, this Australian band has reflected in an LP everything good that promises its EP\u2019s; easy singles everywhere and the desire to go down to the pub to drink 3 pints in a row.<\/p>\n\n<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-6343\" aria-expanded=\"false\">21-30<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-6343\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6343\" tabindex=\"0\" hidden=\"hidden\"><div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">21. Black Mountain \u2013 IV<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/1iRr9SxJtbenO0gygNltV7\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/iv_black_mountain.jpg\" alt=\"IV \u2013 Black Mountain\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Probably the 6-year break has made the album didn\u2019t have that strength of its predecessors and therefore does not reach the category of fucking masterpiece as we are accustomed by the Canadians. However, the first 20 minutes, with an incredible <em>\u201cMothers of the Sun\u201d<\/em>, are still over 80% of the albums on the market, merging progressive rock and psychedelic with electronics or even pop as only Black Mountain know..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">22. Glass Animals \u2013 How to be a Human Being<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/24BRvmlDhVhjTJsqazdVxm\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/glass-animals-how-to-be-a-human-being.jpg\" alt=\"Glass Animals - How to be a Human Being\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>English band are moving away from the continuous comparisons with <strong>Wild Beasts<\/strong> to get closer to the sound of the Australians <strong>Alt-J<\/strong> by incorporating rhythms of hip-hop or r\u2019n\u2019b. Thus, they deliver an animated album in which they dare to treat hard subjects like the drugs, the mental health or the poverty without losing an apex of freshness.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">23. Solange \u2013 A Seat at the Table<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/3Yko2SxDk4hc6fncIBQlcM\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/solange_-_a_seat_at_the_table.jpg\" alt=\"Solange - A Seat at the Table\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>If you mix the good of the black music of the seventies, with the r\u2019n\u2019b and the current commercial pop you have that sound that permeates the entire album of the little of the <strong>Knowles<\/strong>. In addition to the star appearances of <strong>Lil Wayne<\/strong> or <strong>Kelly Rowland<\/strong>, highlights <strong>Kelela<\/strong>\u2018s collaboration in <em>\u201cScales\u201d<\/em>, which along with a hypnotic sound of synthesizer deliver the best song of the album.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">24. Swans \u2013 The Glowing Man<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/0lc9lN6gwQ4RMmB8TCWoXG\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/the_glowing_man_swans.jpg\" alt=\"Swans - The Glowing Man\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Finally <strong>Michael Gira<\/strong> has managed to translate that dark oppressive atmosphere of their live to an album! In their more over produced LP, where we can finally hear the wide range of instruments that fuse with the serious voice of <strong>Gira<\/strong>, we still enjoy those epic volume ups full of fury, but with the addition of wandering in other styles, as in the calm <em>\u201cWhen Will I Return?\u201d<\/em> or <em>\u201cFinally Peace\u201d<\/em>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">25. Bon Iver \u2013 22, A Million<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/1PgfRdl3lPyACfUGH4pquG\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/22_a_million\u2013bon_iver.jpg\" alt=\"Bon Iver - 22, A Million\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>If something can be said after a listening to the new album by <strong>Justin Vernon<\/strong> is that the American has risked a lot. With clear influences from <strong>James Blake<\/strong> or hip-hop stars like <strong>Kanye West<\/strong> or <strong>Drake<\/strong>, the album is a leap into the experimental electronics with a mjor use of Autotune. His lyrics and his melancholy essence is still there, but now accelerated thanks to rhythms of glitches and samples..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">26. Daughter \u2013 Not To Disappear<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/0ojaCwRiJ63YX6ucXASFdU\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/daughter-not-to-disappear.jpg\" alt=\"Daughter - Not To Disappear\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>If something works, Why to change it? That should have <strong>Daughter<\/strong> thought with lyrics full of personal emotions and content pain, as you can see in two songs like <em>\u201cNo Care\u201d<\/em> and <em>\u201cDoing The Right Thing\u201d<\/em>. However, the musical side moves to a new level, with a greater presence of guitars and drums that approach to them to a post-rock sound that fits perfect with them.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">27. DIIV \u2013 Is The Is Are<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5PPPABn2aZ0jRuHPMONwSR\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/is_the_is_are-diiv.jpg\" alt=\"DIIV - Is The Is Are\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The infinite internal problems of the band and the eternal wait for the new album did us expect the worst from the second album of <strong>DIIV<\/strong>. However, maturity seems to have been a stimulus, raising their indie-rock style to a new level with incredible guitars that move between dream and noise, delivering in all the songs landscapes that remember us at the same time <strong>Beach House<\/strong> or <strong>Sonic Youth<\/strong>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">28. Die Antwoord \u2013 Mount Ninji And Da Nice Time Kid<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/654szU30LKqKmouMiEONev\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/mount_ninji_and_da_nice_time_kid-die_Antwoord.jpg\" alt=\"Die Antwoord - Mount Ninji And Da Nice Time Kid\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>South Africans continue&nbsp;doing&nbsp;their own thing, mocking people who take them as a joke while they continue to deliver amazing tracks like <em>\u201cBanana Brain\u201d<\/em> to their ever-growing legion of followers. No one is going to tame them, but their initial hardcore is gradually turning towards a suburb pop that appears as a poisoned candy with which they continue inoculating their wicked lyrics.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">29. Blossoms \u2013 Blossoms<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/3JYng1xJxNZIqdyqrdQ0Oz\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/blossoms_blossoms.jpg\" alt=\"Blossoms \u2013 Blossoms\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>As in the case of <strong>DMA<\/strong>\u2018s, their sound is not new and can be accused of being the typical prefab group by NME. The voice of its leader <strong>Ogden<\/strong> recalls <strong>Alex Turner<\/strong> of the <strong>Arctic Monkeys<\/strong>, the guitars sound to <strong>Oasis<\/strong> and the drums to <strong>The Stones Roses<\/strong>.. Nothing original, but everything perfectly united to deliver an LP that sounds to indie, but also to quality pop thanks to some great keyboards. If that were not enough, it also includes one of the themes of the year as <em>\u201cCharlemagne\u201d<\/em>!<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">30. Warpaint \u2013 Heads Up<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5uGGOeDoB2jHetZJTbkwcC\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/heads_up\u2013warpaint.jpg\" alt=\"Warpaint - Heads Up\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The preview in the form of danceable single made us presaged a great change for the band of Los Angeles, but in the end their sound always returns to the guitar indie rock with dream pop touches that they are good at. In addition to the hit <em>\u201cNew Song\u201d<\/em>, the album is full of good songs like <em>\u201cDre\u201d<\/em>, which glimpses influences of <strong>Kendrick Lamar<\/strong> or a <em>\u201cBy Your Side\u201d<\/em> that sounds to the perfect mix of <strong>Grimes<\/strong>\u2018 madness with the emotional side of <strong>Daughter<\/strong>.<\/p>\n\n<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-6344\" aria-expanded=\"false\">31-40<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-6344\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6344\" tabindex=\"0\" hidden=\"hidden\"><div =\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">31. The Last Shadow Puppets \u2013 Everything You\u2019ve Come To Expect<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/6q1ZuWCnYTQb7KhXHZo947\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/everything_youve_come_to_expect\u2013the_last_shadow_puppets.jpg\" alt=\"The Last Shadow Puppets - Everything You\u2019ve Come To Expect and The Dream Synopsis\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>Eight years after their debut, <strong>Alex Turner<\/strong> and <strong>Miles Kane<\/strong> offer us a much more heterogeneous album than their predecessor, in which we can enjoy sounds more typical of 70\u2019s pop and in which even dare with ballads and slower rhythms. But let\u2019s not fool ourselves, there is also visible that mod-garage rage that both have embraced in their recent solo albums, as demonstrated in <em>\u201cBad Habits\u201d<\/em> or the track that title the album, where electric guitars are the main protagonists.<\/p>\n\n<\/div>\n<\/div>\n<\/divclass>\n<div =\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">32. Minor Victories \u2013 Minor Victories<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/0p46EDlybGlyRyd44gZseq\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/minor-victories_minor-victories.jpg\" alt=\"Minor Victories \u2013 Minor Victories\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The fictional union (all communication was through mail) of members of <strong>Editors<\/strong>, <strong>Mogwai<\/strong> or <strong>Slowdive<\/strong> has given a very homogeneous disc that navigates between the shoegaze and the dream pop and where the voice of <strong>Rachel Goswell<\/strong> rises like main protagonist before the incredible sonorous walls created mainly from the distortions in the guitars. Its only flaw, a second half of the album that is not up to the first and that is especially bored..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">33. James Blake \u2013 The Colour In Anything<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/3W6y9r01OraL2mcoySQW9v\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/jamesblake_thecolourinanything.jpg\" alt=\"James Blake - The Colour In Anything\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>It is curious that <strong>James Blake<\/strong>\u2018s album and the <strong>Warpaint<\/strong> one are so close in the list .. Precisely this album tells in a calm and affable way the sentimental rupture of <strong>Blake<\/strong> with the guitarist of the American band, confessing in a public way the contradictory feelings with the help and subtlety of a piano and friendly electronics, as you can see in the verses of <em>\u201cMeet you in the maze\u201d<\/em> (<em>\u201cAll those songs that came before you \/ They were once awaiting \/ Music can\u2019t be everything\u201d<\/em>).<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">34. Moderat \u2013 III<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/7BmMOUo8nrmYHB2EHBGkSt\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/moderat_iii.jpg\" alt=\"Moderat - III\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The third album by the Berliners <strong>Moderat<\/strong> is a small approach to electronic pop, forgetting those techno rhythms that they dominate so well. Maybe that\u2019s why it feels like a step back in an immaculate career.. And there lies the error, since this new album incorporates sounds of the synth, Bass or dubstep creating surprising sound textures as only the German trio is capable, delivering after all, a remarkable record.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">35. Parquet Courts \u2013 Human Performance<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/4RNew41ZeRuoRNg3YAhvpe\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/parquet-courts-human-performance.jpg\" alt=\"Parquet Courts - Human Performance\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The unclassifiable Brooklyn band returns to their own codes after the disastrous <em>\u201cMonastic Living\u201d<\/em>. The sharp guitars and the frenetic set of drums perfectly synchronized with the voice between reluctant and casual of <strong>Andrew Savage<\/strong> bring us again that mixture of punk, garage and Americana that we longed so much, that able to take you from the rush to calculated nostalgia in just one couple of songs..<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">36. BadBadNotGood \u2013 IV<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/6I6jAnCBZZOF94RIlnrD7g\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/iv\u2013badbadnotgood.jpg\" alt=\"BadBadNotGood - IV\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>In a year in which Jazz seems to have reached more sectors of the general public, <strong>BBNG<\/strong> give another twist to its risky way of seeing the genre and adds vocalists and fusion with other styles such as soul, electronic or hip hop. The result is very eclectic, full of complex melodies that sometimes give the album the appearance of a nonsense, but in global offers a unique experience highly enjoyable.\n<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">37. Teenage Fanclub \u2013 Here<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/0r9BEwSODOtAEza9ByqTva\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/here\u2013teenagefanclub.jpg\" alt=\"Teenage Fanclub - Here\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p><strong>Teenage Fanclub<\/strong> approach their countrymen <strong>Belle and Sebastian<\/strong> in what is probably the most pop album of their career. A clear sound reminiscent of <strong>The Byrds<\/strong> and simple choruses, leaning on always accurate guitars that move away from the power-pop of their beginnings to flirt with sounds more typical of folk and thus show their most romantic side.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">38. Iggy Pop \u2013 Post Pop Depression<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5jRBK15ic9i5C8ucN5LTx1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/post-pop-depression-iggy-pop.jpg\" alt=\"Iggy Pop - Post Pop Depression\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p><strong>Iggy<\/strong> has offered the best albums of his career when he has surrounded himself with collaborators, and in this case has been accompanied by <strong>Dean<\/strong> and <strong>Josh<\/strong> from <strong>Queens of the Stone Age<\/strong> and <strong>Matt<\/strong> from <strong>Arctic Monkeys<\/strong>, making the sound of the iguana is as close possible to a band with a forceful sound mainly focused on guitars. Rock without frills, old-fashioned, with <strong>Iggy Pop<\/strong> in stoner way on <em>\u201cGerman Days\u201d<\/em> or more delicate in the great <em>\u201cChocolate Drops\u201d<\/em>.. If this is the final album of his career, it will be a worthy end.\n<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">39. Angel Olsen \u2013 My Woman<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/5M8xQaQZuW2LZGVXZ3mlKN\" target=\"_blank\"><img decoding=\"async\" width=\"300\" height=\"300\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/angel-olsen-my-woman.jpeg\" alt=\"angel olsen - my woman\" class=\"aligncenter size-full wp-image-8160\" srcset=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/angel-olsen-my-woman-150x150.jpeg 150w, http:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/angel-olsen-my-woman.jpeg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>The girl from Missouri maintains the level of <em>\u201cBurn Your Fire For No Witness\u201d<\/em>, although she evolves from the lo-fi folk to a rock in the line of <strong>Courtney Barnett<\/strong>. It is curious how the fragility of her voice and her characteristic changes of rhythm combine so weel with this harder version of her without losing an ounce of strength, as demonstrated in the brilliant <em>\u201cShut Up Kiss Me\u201d<\/em>.<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"col-12\">\n<h4 class=\"media-heading\">40. Band Of Horses \u2013 Why Are You OK<\/h4>\n<div class=\"thumbnail\">\n\t\t\t<a href=\"https:\/\/open.spotify.com\/album\/3zkYn6D7BES929rafJfONa\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/indieofilo.com\/wp-content\/uploads\/2017\/01\/band-of-horses-why-are-you-ok.jpg\" alt=\"Band Of Horses - Why Are You OK\" class=\"aligncenter size-full wp-image-3567\"><\/a>\n\t\t<\/div>\n<div class=\"caption\">\n<p>After a small&nbsp;journey through the wilderness with their latest records, <strong>Ben Bridwell<\/strong> and company find again the balance between the traditional and that rage that the Seattle transmit in their timeless hits like the mythical <em>\u201cThe Funeral\u201d<\/em>. The album changes from pop in \u201cCasual Party\u201d to the rock on the duet with <strong>J. Mascis<\/strong> in <em>\u201cIn A Drawer\u201d<\/em> with an amazing ease and without stridencies, so we can confirm that the Americans are back.<\/p>\n\n<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>1-10 11-20 21-30 31-40 1-10 01. Kate Tempest \u2013 Let Them Eat Chaos After the victory of Brexit, many political analysts sought the reasons for disenchantment. It would have been easier for them to listen to the nearly 50 minutes in which Kate Tempest cries out against social injustices, human disaffection or consumerism in a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8217,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,12],"tags":[80,222,243,377,393,565,595,623,735,1010,1015,1051,1138,1146,1184,1702,1909,2025,2218,2222,2253,2422,2906,2926,3059,3064,3260,3420,3512,3787,3918,3972,4119,4150,4188,4340,4791,4825],"class_list":["post-8221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lists","category-others","tag-a-tribe-called-quest","tag-angel-olsen","tag-anohni","tag-badbadnotgood","tag-band-of-horses","tag-black-mountain","tag-blossoms","tag-bon-iver","tag-car-seat-headrest","tag-daughter","tag-david-bowie","tag-de-staat","tag-die-antwoord","tag-diiv","tag-dmas","tag-glass-animals","tag-iggy-pop","tag-james-blake","tag-kate-tempest","tag-kaytranada","tag-king-gizzard-the-lizard-wizard","tag-leonard-cohen","tag-minor-victories","tag-moderat","tag-nick-cave","tag-nicolas-jaar","tag-parquet-courts","tag-preoccupations","tag-radiohead","tag-savages","tag-skepta","tag-solange","tag-suede","tag-swans","tag-teenage-fanclub","tag-the-last-shadow-puppets","tag-warpaint","tag-whitney"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.9 (Yoast SEO v26.6) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>40 best albums of 2016 - Indie\u00f3filo<\/title>\n<meta name=\"description\" content=\"Our selection with the 40 best albums of this 2016 that just finished, with Kate Tempest, Nick Cave and Anderson .Paak on the podium.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"40 best albums of 2016\" \/>\n<meta property=\"og:description\" content=\"Our selection with the 40 best albums of this 2016 that just finished, with Kate Tempest, Nick Cave and Anderson .Paak on the podium.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016\" \/>\n<meta property=\"og:site_name\" content=\"Indie\u00f3filo\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Indieofilo\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-01-05T16:38:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-03T09:42:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1050\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Victor\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:site\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Victor\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"23 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016\"},\"author\":{\"name\":\"Victor\",\"@id\":\"https:\/\/www.indieofilo.com\/#\/schema\/person\/595334d38590e4ce5a09f83cbf2fca90\"},\"headline\":\"40 best albums of 2016\",\"datePublished\":\"2017-01-05T16:38:44+00:00\",\"dateModified\":\"2023-10-03T09:42:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016\"},\"wordCount\":3157,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.indieofilo.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/others\/40-best-albums-of-2016#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2017\/01\/best-albums-indieofilo-2016.jpg\",\"keywords\":[\"A Tribe Called Quest\",\"Angel Olsen\",\"Anohni\",\"BadBadNotGood\",\"Band of Horses\",\"Black Mountain\",\"Blossoms\",\"Bon Iver\",\"Car Seat Headrest\",\"Daughter\",\"David Bowie\",\"De Staat\",\"Die Antwoord\",\"Diiv\",\"DMA's\",\"Glass Animals\",\"Iggy Pop\",\"James Blake\",\"Kate Tempest\",\"Kaytranada\",\"King Gizzard &amp; 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