{"id":51200,"date":"2026-03-04T11:07:00","date_gmt":"2026-03-04T10:07:00","guid":{"rendered":"https:\/\/www.indieofilo.com\/news\/music\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona"},"modified":"2026-04-13T00:17:04","modified_gmt":"2026-04-12T22:17:04","slug":"carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona","status":"publish","type":"post","link":"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona","title":{"rendered":"Carmen Consoli \u2013 22 February 2026 (Paral\u00b7lel 62 \u2013 Barcelona)"},"content":{"rendered":"

The silence lingers as the stage is bathed in warm light. The faint sound of the musicians’ footsteps can be heard, and the audience holds its breath, eyes fixed on Carmen Consol<\/strong>i as she takes her place on stage with her guitar. Carmen Consoli, guitar in hand, is ready to begin. The opening chord of “Cantu di la curuna” fills the space, crisp and clear, instantly creating an intimate and focused atmosphere. <\/p>\n

\"Carmen<\/p>\n

Carmen Consoli<\/strong>, Paral\u00b7lel 62 Barcelona 2026<\/b> – Photo taken by Meritxell Rosell<\/strong> for Indieofilo\u00a9<\/sup><\/strong><\/span><\/p>\n

The Cantantessa’s slightly deep, husky voice cuts through effortlessly<\/strong>. ‘Pirati a Palerm<\/em>o’ and ‘Mandaci una cartolina<\/em>‘ explore themes of memory and place. There are no theatrical flourishes; the stories unfold naturally and in rich detail, with a sense of reality. Spontaneous applause breaks out at the end of each son<\/strong>g, accompanied by choruses of the audience calling her by name and openly expressing their affection. <\/p>\n

\"Carmen<\/p>\n

Carmen Consoli<\/strong>, Paral\u00b7lel 62 Barcelona 2026<\/b> – Photo taken by Meritxell Rosell<\/strong> for Indieofilo\u00a9<\/sup><\/strong><\/span><\/p>\n

\u2018Mio zio<\/em>\u2019 tells the story of a young girl who suffered incestuous sexual abuse at the hands of a family member. Describing the experience with sparse language and minimal detail, the song highlights the loneliness and code of silence surrounding it, making the account all the more poignant and powerful.. Carmen Consoli then introduces ‘Amuri luci<\/em>‘ in Catalan, dedicating it to Peppino Impastato<\/strong>. She briefly reminds the Barcelona audience who he was and what he represents for Sicily. ‘Parru cu tia<\/em>‘, ‘Bonsai<\/em>‘ and ‘Galateia<\/em>‘ follow one after the other. With ‘Geisha<\/em>‘, the sound becomes more precise<\/strong>: the guitar plays the main notes and the voice tightens without losing its natural quality. Geisha’s cries ring out loud and fierce. Silence accompanies every phrase in the hall, and at the end, prolonged applause and spontaneous singing break out. <\/p>\n

\"BarnaSants<\/p>\n

Carmen Consoli<\/strong>, Paral\u00b7lel 62 Barcelona 2026<\/b> – Photo taken by Meritxell Rosell<\/strong> for Indieofilo\u00a9<\/sup><\/strong><\/span><\/p>\n

The second half of the concert features a performance by the Orquestra M\u00fasiques d\u2019Arrel de Catalunya<\/strong>, conducted by Cesc Badia. Consoli affectionately refers to the conductor as ‘u picciriddu<\/em>‘ in Sicilian, meaning ‘the boy<\/em>‘, in reference to his youth. The mandolin of Massimo Roccaforte<\/strong>, the scacciapensieri and the flutes of Gemino Cal\u00e0<\/strong> join the guitar, enriching the orchestral texture<\/strong>. The melodies of “Parole di burro<\/em>“, “L\u2019ultimo bacio<\/em>“, “Mamma tedesc<\/em>a”, “Terra di Hamdis<\/em>” and “Maria Catena<\/em>” fill the space with the intimacy that characterises their concerts. <\/p>\n

\"Carmen<\/p>\n

Carmen Consoli<\/strong>, Paral\u00b7lel 62 Barcelona 2026<\/b> – Photo taken by Meritxell Rosell<\/strong> for Indieofilo\u00a9<\/sup><\/strong><\/span><\/p>\n

“A finestra<\/em>” offers an ironic portrayal of Sicilian attitudes and everyday mannerisms, providing the audience with a candid snapshot of island life that they watch in silence. Throughout the evening, the deep connection to her roots and to Sicily is palpable<\/strong>: the influence of Rosa Balistreri<\/strong>, whom Consoli admires, interprets and succeeds, is evident in lyrics that tell uncomfortable stories, often from a female perspective. As with Balistreri’s work, no further words are needed; the music and lyrics are self-sufficient, and every phrase is concrete and essential<\/strong>. <\/p>\n

\"Barcelona<\/p>\n

Carmen Consoli<\/strong>, Paral\u00b7lel 62 Barcelona 2026<\/b> – Photo taken by Meritxell Rosell<\/strong> for Indieofilo\u00a9<\/sup><\/strong><\/span><\/p>\n

The encores really engage the audience. \u2018Blu notte\/Contessa miseria<\/em>\u2019, \u2018Fiori d\u2019arancio<\/em>\u2019, \u2018Bianco e nero<\/em>\u2019 and \u2018Amore di plastica<\/em>\u2019 draw the audience in, with many singing along and others giving a long round of applause. ‘Bianco e nero<\/em>‘, a song inspired by black-and-white photographs reflecting on the often complex relationship with one’s mother, is one of the most intense moments of the evening. There is silence as the voice and guitar breathe in unison<\/strong>, followed by prolonged applause at the end.<\/p>\n

Each song weaves a narrative thread between the instruments, the voice and the audience\u2019s reactions and attentive silences<\/strong>. Carmen Consoli\u2019s presence and unique tone, combined with the guitar, mandolin, scacciapensieri and orchestra, strike a solid, tangible balance between modernity and tradition<\/strong>. For those with Sicilian roots, certain words resonate more deeply, evoking powerful memories. <\/p>\n

\"Carmen<\/p>\n

Carmen Consoli<\/strong>, Paral\u00b7lel 62 Barcelona 2026<\/b> – Photo taken by Meritxell Rosell<\/strong> for Indieofilo\u00a9<\/sup><\/strong><\/span><\/p>\n

This wasn\u2019t the first time the artist had performed in Barcelona: she had previously visited the city in 2023 for a sold-out concert at the Casinet d\u2019Hostafrancs. On both occasions, she was invited to perform at the Barnasants<\/em> festival, thus confirming the close ties between the Sicilian singer-songwriter and the city\u2019s music scene. After the concert, you are left with the feeling that you have witnessed something vibrant, authentic and unpretentious. Carmen Consoli reaffirms her status as a champion and guardian of Sicilian culture <\/strong>:<\/p>\n

Setlist Carmen Consoli – Barcelona 2026<\/em><\/span><\/p>\n

Cantu di la curuna<\/p>\n

Pirati a Palermo<\/p>\n

Mandaci una cartolina<\/p>\n

Mio zio<\/p>\n

Amuri Luci<\/p>\n

Parru cu tia<\/p>\n

Bonsai<\/p>\n

Galateia<\/p>\n

Le cose di sempre<\/p>\n

Geisha<\/p>\n

-Con la Orquestra-<\/p>\n

Parole di burro<\/p>\n

L’ultimo bacio<\/p>\n

A finestra<\/p>\n

Mamma tedesca<\/p>\n

Terra di Hamdis<\/p>\n

Maria Catena<\/p>\n

Pendio dell’abbandono<\/p>\n

-Bis-<\/p>\n

Blu notte\/Contessa miseria<\/p>\n

Fiori d’arancio<\/p>\n

Bianco e nero<\/p>\n

Amore di plastica<\/p>\n","protected":false},"excerpt":{"rendered":"

The silence lingers as the stage is bathed in warm light. The faint sound of the musicians’ footsteps can be heard, and the audience holds its breath, eyes fixed on Carmen Consoli as she takes her place on stage with her guitar. Carmen Consoli, guitar in hand, is ready to begin. The opening chord of […]<\/p>\n","protected":false},"author":12,"featured_media":51178,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6908,7,15],"tags":[4961,7943,7942,7944],"class_list":["post-51200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-gig-reviews","category-rooms","tag-barcelona-en","tag-barnasants-en","tag-barnasants-2026-en","tag-carmen-consoli-en"],"yoast_head":"\nCarmen Consoli \u2013 22 February 2026 (Paral\u00b7lel 62 \u2013 Barcelona) - Indie\u00f3filo<\/title>\n<meta name=\"description\" content=\"A review and exclusive photo gallery of the concert that Carmen Consoli performed at Sala Paral\u00b7lel 62 in Barcelona as part of BarnaSants 2026.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral\u00b7lel-62-barcelona\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Carmen Consoli \u2013 22 February 2026 (Paral\u00b7lel 62 \u2013 Barcelona)\" \/>\n<meta property=\"og:description\" content=\"A review and exclusive photo gallery of the concert that Carmen Consoli performed at Sala Paral\u00b7lel 62 in Barcelona as part of BarnaSants 2026.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral\u00b7lel-62-barcelona\" \/>\n<meta property=\"og:site_name\" content=\"Indie\u00f3filo\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Indieofilo\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-04T10:07:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-12T22:17:04+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2026\/03\/Carmen_Consoli_P62_Barcelona_2026_1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ila\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:site\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ila\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona\"},\"author\":{\"name\":\"Ila\",\"@id\":\"https:\/\/www.indieofilo.com\/#\/schema\/person\/1b937e8ee3d1368a5e55e4a0c7e6f18e\"},\"headline\":\"Carmen Consoli \u2013 22 February 2026 (Paral\u00b7lel 62 \u2013 Barcelona)\",\"datePublished\":\"2026-03-04T10:07:00+00:00\",\"dateModified\":\"2026-04-12T22:17:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona\"},\"wordCount\":817,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.indieofilo.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2026\/03\/Carmen_Consoli_P62_Barcelona_2026_1.jpg\",\"keywords\":[\"Barcelona\",\"BarnaSants\",\"BarnaSants 2026\",\"Carmen Consoli\"],\"articleSection\":[\"Featured\",\"Gig Reviews\",\"Rooms\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona\",\"url\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/rooms\/carmen-consoli-22-february-2026-paral%c2%b7lel-62-barcelona\",\"name\":\"Carmen Consoli \u2013 22 February 2026 (Paral\u00b7lel 62 \u2013 Barcelona) - 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