{"id":49332,"date":"2025-07-17T15:23:00","date_gmt":"2025-07-17T13:23:00","guid":{"rendered":"https:\/\/www.indieofilo.com\/news\/music\/beth-gibbons-14th-july-2025-les-nits-de-barcelona"},"modified":"2025-07-20T00:45:35","modified_gmt":"2025-07-19T22:45:35","slug":"beth-gibbons-14th-july-2025-les-nits-de-barcelona","status":"publish","type":"post","link":"https:\/\/www.indieofilo.com\/en\/gig-reviews\/festivals\/beth-gibbons-14th-july-2025-les-nits-de-barcelona","title":{"rendered":"Beth Gibbons &#8211; 14th July 2025 (Les Nits de Barcelona)"},"content":{"rendered":"<p style=\"text-align: justify;\">Almost a year after presenting her first solo album, <em>Lives Outgrown<\/em> (2024), at Primavera Sound 2024, <strong>Portishead<\/strong> vocalist <strong>Beth Gibbons<\/strong> returned to Barcelona to perform at the Les Nits de Barcelona festival.. <strong>Her emotional, melancholic and introspective concert <\/strong>attracted around 1,500 spectators, who responded to the British artist&#8217;s delicate performance with sepulchral silence. <strong>The concert, which was perhaps short (just over 75 minutes), left the audience with a final sensation of having experienced a remarkable show thanks to a majestic band that elevated the singer&#8217;s delicate proposal, as well as the unbreakable communion between artist and audience<\/strong>.  <\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-49317 size-full\" title=\"Beth Gibbons - Nits de Barcelona 2025\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025.jpg\" alt=\"Beth Gibbons - Nits de Barcelona 2025\" width=\"1024\" height=\"687\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025.jpg 1024w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025-794x533.jpg 794w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025-1018x683.jpg 1018w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025-596x400.jpg 596w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025-768x515.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 9px;\">Photo of <strong>Beth Gibbons<\/strong> by <a href=\"https:\/\/www.instagram.com\/joseirun_fotografia\/\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Ir\u00fan<\/a> provided by the Nits de Barcelona 2025 organisation<\/span><\/p>\n<p style=\"text-align: justify;\">The Bristol-born singer <strong>continued to show signs of her extreme shyness for much of the concert, either dancing with her back to the audience or interacting minimally with the microphone beyond the songs<\/strong>. She was supported by a <strong>set of lights that were perhaps too dazzling for her intimate approach<\/strong>. She started the concert in an almost identical way to the LP, performing songs such as &#8216;<em>Tell Me Who You Are Today<\/em>&#8216;, &#8216;<em>Burden of Life<\/em>&#8216; and the more folk-influenced &#8216;<em>Floating on a Moment<\/em>&#8216;.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-49323 size-full\" title=\"Beth Gibbons 2025 - Nits de Barcelona\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025.jpg\" alt=\"Beth Gibbons 2025 - Nits de Barcelona\" width=\"2048\" height=\"1464\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025.jpg 2048w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025-746x533.jpg 746w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025-955x683.jpg 955w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025-560x400.jpg 560w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025-768x549.jpg 768w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_2_Nits_Barcelona_2025-1536x1098.jpg 1536w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 9px;\">Photo of <strong>Beth Gibbons<\/strong> by <a href=\"https:\/\/www.instagram.com\/joseirun_fotografia\/\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Ir\u00fan<\/a> provided by the Nits de Barcelona 2025 organisation<\/span><\/p>\n<p style=\"text-align: justify;\">With the occasional help of a <strong>monumental band that included Emma Smith (Pulp) on violin, Sophie Hastings on drums, the immense Howard William Jacobs on percussion, and Eoin Rooney on guitar<\/strong>, the Briton&#8217;s delicate pop grew by leaps and bounds, thanks to the oriental touches of &#8216;<em>Rewind<\/em>&#8216; and &#8216;<em>For Sale<\/em>&#8216;. She then revisited &#8216;<em>Mysteries<\/em>&#8216; from her now distant album <em>Out of Season<\/em> (2002), which she recorded with Paul Webb.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-49326 size-large\" title=\"Nits de Barcelona 2025 - Beth Gibbons\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025-906x683.jpg\" alt=\"Nits de Barcelona 2025 - Beth Gibbons\" width=\"906\" height=\"683\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025-906x683.jpg 906w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025-707x533.jpg 707w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025-531x400.jpg 531w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025-768x579.jpg 768w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025-1536x1158.jpg 1536w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_3_Nits_Barcelona_2025.jpg 2048w\" sizes=\"(max-width: 906px) 100vw, 906px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 9px;\">Photo of <strong>Beth Gibbons<\/strong> by <a href=\"https:\/\/www.instagram.com\/joseirun_fotografia\/\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Ir\u00fan<\/a> provided by the <b>Nits de Barcelona 2025 organisation<\/b><\/span><\/p>\n<p style=\"text-align: justify;\">The <strong>band&#8217;s excessive prominence, in terms of both power and baroque style, drowned out Gibbons&#8217; delicate voice in the middle section<\/strong>, during which they performed &#8216;<em>Lost Changes<\/em>&#8216; and the chaotic <b>&#8216;<\/b><em>Oceans<\/em><b>&#8216;<\/b>, before returning to her album with <strong>Rustin Man<\/strong> for &#8216;<em>Tom de Model<\/em>&#8216;, which stood out for its soulful spirit. The <strong>concert regained its initial brilliance<\/strong> with the frenzied violin playing in &#8216;<em>Beyond the Sun<\/em>&#8216; and the flawless synchronisation of the flute and Beth&#8217;s voice in &#8216;<em>Whispering Love<\/em>&#8216;, providing the perfect prelude to the encores that sent the audience wild. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49328 size-large\" title=\"2025 Nits de Barcelona - Beth Gibbons\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025-1024x683.jpg\" alt=\"2025 Nits de Barcelona - Beth Gibbons\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025-1024x683.jpg 1024w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025-800x533.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025-600x400.jpg 600w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025-768x512.jpg 768w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025-1536x1025.jpg 1536w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_4_Nits_Barcelona_2025.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 9px;\">Photo of <strong>Beth Gibbons<\/strong> by <a href=\"https:\/\/www.instagram.com\/joseirun_fotografia\/\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Ir\u00fan<\/a> provided by the <b>Nits de Barcelona 2025 organisation<\/b><\/span><\/p>\n<p style=\"text-align: justify;\">To close her concert, the most recognised voice of trip hop <strong>would draw on memories in the form of hits by her band, Portishead<\/strong>. She opted for two generational anthems from <em>Dummy<\/em> (1994), such as &#8216;<em>Roads<\/em>&#8216; and &#8216;<em>Glory Box<\/em>&#8216;, which delighted part of the audience who seemed <strong>more interested in capturing the moment on their phones for Instagram than enjoying the concert as a whole<\/strong>. Almost 75 minutes into the show, there was still time to close with &#8216;<em>Reaching Out<\/em>&#8216;, sung in a kind of sighing mode. After this, the audience gave the singer and her band a couple of minutes of applause. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Almost a year after presenting her first solo album, Lives Outgrown (2024), at Primavera Sound 2024, Portishead vocalist Beth Gibbons returned to Barcelona to perform at the Les Nits de Barcelona festival.. Her emotional, melancholic and introspective concert attracted around 1,500 spectators, who responded to the British artist&#8217;s delicate performance with sepulchral silence. The concert, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":49317,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6908,33,7],"tags":[4961,7105,7723,7724,6298],"class_list":["post-49332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-festivals","category-gig-reviews","tag-barcelona-en","tag-beth-gibbons-en","tag-les-nits-de-barcelona-en","tag-les-nits-de-barcelona-2025-en","tag-portishead-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.9 (Yoast SEO v26.6) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Beth Gibbons - 14th July 2025 (Les Nits de Barcelona) - Indie\u00f3filo<\/title>\n<meta name=\"description\" content=\"A review of the concert given by Portishead singer Beth Gibbons as part of the Les Nits de Barcelona 2025.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/festivals\/beth-gibbons-14th-july-2025-les-nits-de-barcelona\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beth Gibbons - 14th July 2025 (Les Nits de Barcelona)\" \/>\n<meta property=\"og:description\" content=\"A review of the concert given by Portishead singer Beth Gibbons as part of the Les Nits de Barcelona 2025.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/festivals\/beth-gibbons-14th-july-2025-les-nits-de-barcelona\" \/>\n<meta property=\"og:site_name\" content=\"Indie\u00f3filo\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Indieofilo\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-17T13:23:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-19T22:45:35+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2025\/07\/Beth_Gibbons_Nits_Barcelona_2025.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"687\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Victor\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:site\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Victor\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/festivals\/beth-gibbons-14th-july-2025-les-nits-de-barcelona#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/festivals\/beth-gibbons-14th-july-2025-les-nits-de-barcelona\"},\"author\":{\"name\":\"Victor\",\"@id\":\"https:\/\/www.indieofilo.com\/#\/schema\/person\/595334d38590e4ce5a09f83cbf2fca90\"},\"headline\":\"Beth Gibbons &#8211; 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