{"id":40898,"date":"2023-06-19T15:35:25","date_gmt":"2023-06-19T13:35:25","guid":{"rendered":"https:\/\/www.indieofilo.com\/news\/music\/sonar-2023-17-sonar-2023-17-june-2023-barcelonajunio-2023-barcelona"},"modified":"2024-04-29T11:41:19","modified_gmt":"2024-04-29T09:41:19","slug":"sonar-2023-17-june-2023-barcelona","status":"publish","type":"post","link":"https:\/\/www.indieofilo.com\/en\/gig-reviews\/sonar-2023-17-june-2023-barcelona","title":{"rendered":"S\u00f3nar 2023 &#8211; 17 June 2023 (Barcelona)"},"content":{"rendered":"<p style=\"text-align: justify;\">After an excellent second day at <strong>S\u00f3nar 2023<\/strong> <a href=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/sonar-2023-16-june-2023-barcelona\">where the shows of Aphex Twin and Fever Ray stood out<\/a>, the last day was marked in the calendar as the day to shown the new national urban trends with <strong>the long-awaited visual spectacle of Eric Prydz or the rap of the British Little Simz.<\/strong>.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-15887\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_Sonar_2023.jpg\" alt=\"Little Simz - Sonar 2023\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>Little Simz, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">The first stop on our tour was a local boy, <strong>Le\u00efti<\/strong>, who just a few hours earlier had been part of the viral photo at the launch of FC Barcelona&#8217;s new football kit . On a stage where <strong>he was accompanied by a good part of his Cutemobb collective, such as the producer Bexnil or Chineseguy2021<\/strong>, some giants on stilts who juggle and a few dancers, <strong>his show was at times too fast and with endless stimuli that made it difficult to concentrate on the music<\/strong>. In any case, without the guest appearances that can be found in the various songs on his album <em>Apocalipsi<\/em> (2022), the young musician from Barcelona defended his songs with flying colours in front of an audience that went wild for his proposal, which sometimes lacked a little connection between the songs. After a short break to recover from the incredible heat, it was time to have some fun on the main stage <strong>of the 8 hands session &#8220;2manydjs invite Peach &amp; Tiga&#8221;.<\/strong>, where the Belgian producers were joined by the <strong>British DJ Peach and the also Canadian DJ Tiga<\/strong> to offer about 3 hours live. A session that practically started with <strong>Rosal\u00eda<\/strong>&#8216;s &#8220;<em>Bizcochito<\/em>&#8220;, and between house and electro, hits from the last 20 years were played. Incidentally, even though it wasn&#8217;t possible for us to enjoy the whole session, we&#8217;re thankful for the small presence of their famous remixes that gave the session an unforeseeable touch, which, as a wink, was closed with &#8220;<em>The Sound Of The Big Babou<\/em>\u201d by <strong>Laurent Garnier<\/strong> who would have closed the main stage that day had he not had health problems. Relaxation before the madness of the S\u00f3nar noche would come with <strong>Lucrecia Dalt<\/strong> in the seats of the Complex+D stage, where the Colombian singer was accompanied by a percussionist to present some of the tracks from her latest album, <em>Ay<\/em>! (2022). Her live performance <strong>was a delight, combining jazz and Latin rhythms at times, mixed with subtle electronica<\/strong> that made the 50 minute show go fast and furious.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-15890\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Lucrecia_Dalt_4_Sonar_2023.jpg\" alt=\"Lucrecia Dalt - S\u00f3nar 2023\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Lucrecia_Dalt_4_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Lucrecia_Dalt_4_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Lucrecia_Dalt_4_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>Lucrecia Dalt, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Once inside the Fira de L&#8217;Hospitalet exhibition centre, the most eagerly awaited moment of the day arrived: the immersive show <strong>Holo<\/strong> brought to the Catalan festival exclusively in Spain by Swedish producer Eric Prydz, and described in the festival&#8217;s presentation as <strong>the most technologically complex show to pass through S\u00f3nar in its 30 years.<\/strong>. And we can attest to the fact that it seemed so to the naked eye, as the <strong>three-dimensionality created by the holograms on stage was impressive, with hands holding mobile phones, whales or robots literally flying above our heads<\/strong>. The only downside is that musically<strong> his session did not differ in style from the one he gave at the same festival the previous year, sometimes abusing the ups &amp; downs and passages with a very similar sound.<\/strong>, but it must also be admitted that when it was played &#8220;<em>Opus<\/em>\u201d in a full without remixes, the audience fell at his feet.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-15874\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Eric_Prydz_Holo_3_Sonar_2023.jpg\" alt=\"Eric Prydz Holo - Sonar 2023\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Eric_Prydz_Holo_3_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Eric_Prydz_Holo_3_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Eric_Prydz_Holo_3_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>Eric Prydz <\/b>presents <em>HOLO<\/em><b>, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Just when we thought everyone was on the main stage, we were surprised to see the SonarCar stage filled with a huge crowd to see <strong>Samantha Hudson<\/strong> perform her &#8216;<em>AOVE Black Label<\/em>&#8216;. The multidisciplinary artist, who has also participated in AI talks at S\u00f3nar by day, <strong>gave a great concert in which, between irony, dance, impossible movements with dancers and humour<\/strong> some of his hits were played, such as &#8220;<em>Otra Vez<\/em>\u201d or \u201c<em>Burguesa Arruinada<\/em>\u201d, offering nearly <strong>35 minutes of blistering electro-pop to the delight of a audience that is in love with her her.<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-15893\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Samanta_Hudson_3_Sonar_2023.jpg\" alt=\"Samanta Hudson - S\u00f3nar 2023\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Samanta_Hudson_3_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Samanta_Hudson_3_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Samanta_Hudson_3_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>Samanta Hudson, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">A few metres away on the SonarPub stage, it was time to catch up with <strong>Alba Farelo<\/strong> on her return to the festival after performing at <a href=\"http:\/\/www.indieofilo.com\/cronicas-conciertos\/festivales\/sonar-2017-15-al-17-junio-2017-barcelona\" target=\"_self\" rel=\"noopener\">Sonar by day<\/a> in 2017. <strong>Already an international star<\/strong>, the singer from Vilassar opted to kick things off with the best-known songs from her album <em>Warm Up<\/em> (2021), such as &#8220;<em>Blin Blin<\/em>&#8221; and &#8220;<em>Pussy<\/em>&#8220;, with the choreography of the group of dancers accompanying her standing out. <strong>As the show progressed, and despite the Catalan singer&#8217;s unspectacular vocal range, some glitches on the screens and sometimes too long pauses between songs, the audience fell at her feet<\/strong> with songs such as &#8220;<em>Flow 2000&#8243;<\/em>, &#8220;<em>Zorra<\/em>&#8220;, \u201c<em>El sol igual<\/em>\u201d or &#8220;<em>Yo sigo igual<\/em>&#8220;, which featured the only verses in Catalan in the whole show. In between mentions of Versace, Dior and Swarovski (who could be sponsoring the show, considering how many times she mentions them), <strong>the Catalan showed why, at least in terms of public following, she can now eat at the table of other female stars across the Pond,<\/strong> and as you can see at the end with \u201c<em>Alocao<\/em>\u201d and \u201c<em>Fiebre<\/em>\u201d and that kind of <strong>karaoke initiation that has become the festival.<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-15868\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Bad_Gyal_2_Sonar_2023.jpg\" alt=\"Bad Gyal - S\u00f3nar 2023\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Bad_Gyal_2_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Bad_Gyal_2_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Bad_Gyal_2_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>Bad Gyal, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Back at the SonarCar, the French-Granadian <strong>La Zowi<\/strong> once again attracted a large crowd of people eager to see her live show, &#8220;<em>La Reina del Sur<\/em>&#8220;. <strong>In a short and intense show, and from a femininity trap that we don&#8217;t really understand, perhaps because we&#8217;re too old for provocation for provocation&#8217;s sake and this new wave of feminism based on the self-commercialisation of both body and lyrics<\/strong>, the Andalusian singer had time for songs like &#8220;<em>Bitch Feka<\/em>\u201d, \u201c<em>Puta<\/em>\u201d o \u201c<em>Chill<\/em>\u201d, although amidst the sweat, fans and screams, the tent came down with &#8220;<em>Chapiadora<\/em>&#8220;, &#8220;<em>Yo lo pongo loco<\/em>&#8221; or a fast-paced remix of &#8220;<em>Smartphone<\/em>&#8220;.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-15879\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/La_Zowi_Sonar_2023.jpg\" alt=\"La Zowi - S\u00f3nar 2023\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/La_Zowi_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/La_Zowi_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/La_Zowi_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>La Zowi, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">The festival ended for us with the long-awaited performance of <strong>Little Simz<\/strong>, and the truth is that <strong>she didn&#8217;t disappoint in the least. Her performance was one of the great concerts of this edition<\/strong>. On an <strong>almost empty stage with only a few instruments on stage<\/strong> (none of which were played until half an hour later), the <strong>Londoner jumped to stage like a cyclone<\/strong> singing &#8220;<em>Silhouette<\/em>\u201d or \u201c<em>No merci<\/em>\u201d, demonstrating <strong>a sense of confidence and poise that blew us away, bringing exactly the same speed and vocal ability to their live performance as on their records.<\/strong>. Between tracks from her previous album, <em>Sometimes I Might Be Introvert<\/em> (2021), and her latest, <em>NO THANK YOU<\/em> (2022), <strong>the night flew by thanks to the subtlety and persuasiveness of lyrics that are both tough and catchy at the same time<\/strong>. In any case, <strong>it was hard to improve on the incredible proposal of the British artist who also brought us close to grime in &#8220;<\/strong><em>Venom<\/em><strong>\u201d which left traces of gospel or afrobeat in other tracks&#8230; <\/strong>But we were more than wrong, because <strong>as soon as the guitar and bass joined forces on tracks like &#8220;<\/strong><em>Gorilla<\/em><strong>\u201d or \u201c<\/strong><em>Introvert<\/em><strong>\u201d the whole thing went up to an orgasmic level,<\/strong>which reminds us of the first time we saw the artist, then known as Kae Tempest, live. Big words, no doubt.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-15886\" src=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_5_Sonar_2023.jpg\" alt=\"S\u00f3nar 2023 - Little Simz\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_5_Sonar_2023.jpg 800w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_5_Sonar_2023-300x200.jpg 300w, https:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_5_Sonar_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\"><b>Little Simz, S\u00f3nar <\/b>2023 &#8211; Photo by <strong>V\u00edctor Ramos Santaf\u00e9<\/strong>\u00a0 for <strong>Indieofilo<sup>\u00a9<\/sup><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">A <strong>perfect end to a S\u00f3nar that, strangely enough, left us with the feeling of having seen the best shows at the beginning and end of the event<\/strong>. With two completely different proposals, but with the common link of an <strong>overwhelming feminine youth, Marina Herlop and Little Simz deserve to be elevated to the altars of the festival&#8217;s history for their incredible musical proposals<\/strong>. Also worthy of mention, but outside the purely musical realm, are the shows by Eric Prydz and Samanta Hudson, as well as the very near prediction of an international media star in the form of Bad Gyal&#8230; What will S\u00f3nar have in store for us over the next 30 years?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After an excellent second day at S\u00f3nar 2023 where the shows of Aphex Twin and Fever Ray stood out, the last day was marked in the calendar as the day to shown the new national urban trends with the long-awaited visual spectacle of Eric Prydz or the rap of the British Little Simz.. Little Simz, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15887,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[33,7],"tags":[5047,4961,5697,7145,7146,5952,7147,5050,7139],"class_list":["post-40898","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-festivals","category-gig-reviews","tag-bad-gyal-en","tag-barcelona-en","tag-eric-prydz-en","tag-la-zowi-en","tag-leiti-en","tag-little-simz-en","tag-samantha-hudson-en","tag-sonar-en","tag-sonar-2023-en","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.9 (Yoast SEO v26.6) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>S\u00f3nar 2023 - 17 June 2023 (Barcelona) - Indie\u00f3filo<\/title>\n<meta name=\"description\" content=\"Exclusive coverage and photos from day 3 of S\u00f3nar 2023 featuring Eric Prydz, Bad Gyal, Little Sims, Samanta Hudson and La Zowi.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/sonar-2023-17-june-2023-barcelona\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S\u00f3nar 2023 - 17 June 2023 (Barcelona)\" \/>\n<meta property=\"og:description\" content=\"Exclusive coverage and photos from day 3 of S\u00f3nar 2023 featuring Eric Prydz, Bad Gyal, Little Sims, Samanta Hudson and La Zowi.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/sonar-2023-17-june-2023-barcelona\" \/>\n<meta property=\"og:site_name\" content=\"Indie\u00f3filo\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Indieofilo\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-19T13:35:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-29T09:41:19+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.indieofilo.com\/wp-content\/uploads\/2023\/06\/Little_Simz_Sonar_2023.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"533\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Victor\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:site\" content=\"@indieofilo\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Victor\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/sonar-2023-17-june-2023-barcelona#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.indieofilo.com\/en\/gig-reviews\/sonar-2023-17-june-2023-barcelona\"},\"author\":{\"name\":\"Victor\",\"@id\":\"https:\/\/www.indieofilo.com\/#\/schema\/person\/595334d38590e4ce5a09f83cbf2fca90\"},\"headline\":\"S\u00f3nar 2023 &#8211; 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